It may come as a surprise to some that Tim Rhoze, artistic director of Fleetwood-Jourdain Theatre, began his career in the business world.
Although he had experience in theater since childhood, as a young man his career turned to business.
“I did an apprenticeship and apprenticeship in a tool shop and I died [steel] Stamping and they trained me to be a prototype engineer, which is a really fancy name for a salesperson with engineering backgrounds,” said Rhoze. The company made parts for Ford, Chrysler, and General Motors, and hired Rhoze for a suit-and-tie job.
“I went into the headquarters of these companies and worked with their design team. That became my daily routine, getting up and going Monday through Friday,” Rhoze said. “It was very good pay for me back then. It wasn’t something I was passionate about, I just stumbled into this area by accident.”
Rhoze’s father was in the theater
Rhoze’s father was a part-time theater artist and full-time postal worker who worked the midnight shift in Detroit, Michigan.
“From an early age – 7, 8, 9 – I was in this world with my father, who would go to rehearsals and sometimes even take me with him. So I was always aware of that, but not in the sense of a career,” says Rhoze. “That was something you could do. You can go bowling on the weekends, but you don’t become a professional bowler.”
As a teenager, he took part in some acting workshops at the Detroit Repertory Theater.
“At the time I was in a lot of trouble … at school, on the streets, with law enforcement. But there are two things I’ve gotten good at. One was boxing and then theater. I would always look forward to that Saturday morning workshop…I really started digging into this whole theater thing.”
Rhoze continued, “It was reading a play that helped me understand that I wasn’t stupid [because I struggled with reading comprehension.] It helped me understand that there is a way for me in this world.”
The book that changed things was Of Ceremonies in Dark Old Men by Lonne Elder III.
Eventually, Rhoze, still working for the tool and die company, auditioned for a play and got a part. During the play, the company owner asked Rhoze to travel to a meeting over the weekend.
“I thought, well, I can’t go this weekend because I’m doing a play. … He was like, well, that’s cute, but I need you to travel to the east coast. I said, ‘I really, really can’t. I have a game, I have an obligation.’ It came out of my mouth and I didn’t realize what was happening.” Rhoze wasn’t fired, but his boss told him he had a decision to make about his career. He chose the theater.
“Our mission is to tell the stories and host the events that tell and share the experiences of Black and African American people and the heritage of the African diaspora.”
Tim Rhoze, Artistic Director, Fleetwood-Jourdain Theatre
After performing in Detroit theaters, I’ve made enough to “put some money into it.” [my] bag to pay the rent,” he studied improvisation. The social environment inspired him.
A few years later, he began auditioning at theaters in Chicago, including the Steppenwolf Theatre, Victory Gardens Theater and the Goodman Theatre.
He auditioned and then drove back to Detroit to work on productions, doing everything from hanging the lights to building the sets to acting on the shows.
When he received a call back from the Goodman for a role in Cheryl West’s play Puddin ‘n Pete, he was asked to return for a second audition on a Sunday. But he had an afternoon showing, so he had to turn it down.
“I was really devastated.
“The following Wednesday, Goodman’s business manager called and asked if I would take the job,” Rhoze said. The director had called noted Detroit director Woodie King, Jr., who gave Rhoze a good reference. “So they took a chance.”
It was the people of the theater, process and discovery of his voice
Rhoze has appeared in more than a dozen productions at the Goodman as well as many other theaters in Chicago and around the country.
He said: “It became a really exciting thing … I don’t think I had a job in theater that I would consider work. It was always a very joyful thing for me. When I was in my early adulthood, early twenties, coming from a very specific business world, going to the office every day in a suit and tie, I fell in love not only with the process but with all the people because it’s such a collaborative effort …
“It was that social energy that drew me in, and as I became more and more attracted to the theater, the world of theater started to open up and I realized that I actually had a voice, literally and figuratively. “
Rhoze has been with Fleetwood-Jourdain, which was founded in 1979, for 12 years.
“Our mission is to tell the stories and host the events that tell and share the experiences of Black and African American people and the heritage of the African diaspora,” Rhoze said.
The theater does this work not only through performances, but also through community engagement through its programs, such as:
- YSTEP (Youth and Senior Theater Ensemble Project) brings together young people, mostly in their teens, and older adults over the age of 65. Together they develop and realize short one-act plays and contribute their own experiences.
- Prime Time Players is a club for older adults that meets once a week, year-round. Participants read plays, write plays and act.
Rhoze said: “We’re always looking for different ways to reach out to the community and involve them in theatrical arts to heal some of the wounds that have been created in our community because of different things, be it racism or violence. We can use theater to help people deal with these things.”
He also wants the theater to include more young actors from local university programs. He hopes Fleetwood-Jourdain will have an active relationship with Northlight Theater when it returns to Evanston.
When asked what’s in store for him personally, Rhoze said: “I’d like to do more directing, if not around the world then around the country.
“I’ve written several plays that have been produced, but I’d like to keep finding stories that interest me. I’d love to be able to get her scripted and see her produced.”
After decades of working as a theater professional, Rhoze is still finding new opportunities as an artist, theater is what keeps him going along with his fatherhood and his engagement. He and his fiancee are getting married in September.
“I was very fortunate to find something that is very close to my heart. That became the common thread, be it the social aspect of the theater or the artwork. … It went from learning and creating the lines and the characters to becoming a director and getting my hands on the overall look and feel of a play,” Rhoze said.
Rhoze directed Fleetwood-Jourdain’s current production, Home, by Samm-Art Williams, which will run until June 19.